Purely by coincidence, in this third post about school story authors added to my Overwhelming List in the most recent update, there are at least three authors who published books with wartime themes and will therefore need to be added to my War List when time allows.
CONSTANCE GREGORY published only a single
book, The Castlestone House Company
(1918), in which World War I provides the background for Guides dealing with
spies and wartime misadventures.
MARGARET W. GRIFFITHS was the author of several
adventure-oriented school and holiday stories before, during, and after World
War II. Details about her specific works are sparse, but presumably at least Hazel in Uniform (1945) deals with the
war?
And
E[LEANOR]. L[UISA]. HAVERFIELD's various children's books are, according
to Sims and Clare, "redolent of the Victorian era," but The Girls of St Olave's (1919), at
least, features wartime air raids.
There
are several writers in this batch who are interesting in one way or another without
necessarily making me feel compelled to read them. For example, in looking into
VALERIE HASTINGS, I was reminded of the fact that some of the girls'
periodicals in which many of these authors published short or serialized
fiction contained what would now be called comic strips, which were often set
in girls' schools and depicted many of the same exploits we're accustomed to
from novels about school life. Two of Hastings' books were adapted from her Wendy and Jinx "strip," and
you can see a sampling (and a whole lot more about girls' comics) at UK Girls Comics.
JOAN HERBERT reminded me that there was
another substantial subset of girls' fiction devoted to the Girl Guides. A fair
number of the authors seem to have overlapped, and a fair number, like Herbert,
combined the two genres with tales of Guides at school. Meanwhile, THORA E.
HORNSBY has allowed me to add yet another name to a growing list (albeit
one not explicitly compiled yet) of literary prodigies, who apparently wrote
her debut, Diana at School (1944), at
the ripe old age of 13 (though it wasn't published until she was 15). Two more
books followed before Hornsby retired at the advanced age of 19. According to
Sims & Clare, her works were characterized by not-entirely-believable
action—perhaps not surprising all things considered.
FREDA M. HURT
was one of a not-very-large group, as far as I can recall, of authors who
started off writing girls' school stories and progressed to a fairly successful
career as a mystery writer. She will also be included in an upcoming post on mystery
writers added in the most recent update to my list—which will necessitate a
revision of the Mystery List as well.
And ELIZABETH HYDE poses a bit of a mystery herself. She's credited
with two girls' stories, though Sims & Clare note that she is credited as
"Frances Newton" in one listing of her books. The Hyde name is almost
certainly a pseudonym, and I've been wondering (with no concrete evidence at
all), if both Elizabeth Hyde and Frances Newton could have been additional,
as-yet-unidentified pseudonyms of Frances Cowen, who is already known to have
used the name "Eleanor Hyde" for historical and romantic suspense
novels. Probably not, but the combinations of names are intriguing.
Several times in pouring over
Sims & Clare's wonderful Book, I paused to look more closely at some titles
they described as straddling the boundary between children's and adult fiction.
I quite like straightforward school fiction aimed at girls, but I'm also very
interested in books set in schools but written for adults (such as one of my
favorites, Mary Bell's Summer's Day).
In this post, there are two such titles. LESLEY
GARTH's only book, Sixteen or So (1923), a series of school-related stories,
is described by Sims & Clare as "semi-adult in tone and outlook."
And even more striking to me is LUCY KINLOCH's only novel, A World Within a School (1937),
apparently based on her own time at Harrogate Ladies' College. Of it, Sims
& Clare conclude: "There are many hundreds of books for girls which
treat school as the only world; there are dozens (for adults) which see the
essential pettiness and enclosure of school life. A World Within a School,
understanding the second, yet relishes the first." Sign me up!
And finally, there are a few
other writers who may have to end up on my TBR list. The Sims & Clare
descriptions of works by FRANCES GREENWOOD, JUDITH GREY, OLIVE L. GROOM (upon whom Sims &
Clare note the influence of Elinor Brent-Dyer), A. M. IRVINE, and RAYMOND
JACBERNS (who created the first school series and whom Sims & Clare
call "required reading") make me think I may have to track down works
by each of them. Perhaps you'll end up reading more about some or all of them
here…
And then, of course, there is
the cover art. Hope you enjoy looking at it as much as I enjoyed tracking it
down!
Novelist and children's author; Irene's
Lame Dogs (1916) is partly a school story; other titles include Lottie's Silver Burden (1879), The Old Square Pew (1904), Betty of Rushmore (1916), Meg of the Heather (1920), Luke's Wife (1926), If Thou Wert Blind (1927), and Ask Rachel (1937).
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LESLEY GARTH
(dates unknown)
Author of a single book, Sixteen
or So (1923), comprised of several school-related stories which Sim and
Clare describe as "semi-adult in tone and outlook."
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More research needed; author of a single girls' school story, Madcap Petrina (1934).
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WINIFRIDE
[MARY] GRADY (1896-1981)
Author of only one book, The
Oldmay Scholarship & True Blue (1927), containing two school-related
novellas.
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More research needed; probably a Quaker, Graham wrote a play, Gold, Frankincense and Myrrh (1931), a
travel book, Port to Port (1935),
books about religion, and one novel, The
Three Ts at Aberleigh (1932), tracing a young girl's development from
childhood to the verge of adulthood.
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EVA GRAY
(dates unknown)
More research needed; author of two non-school children's books, In the Fairy Ring (1935) and Rainbow Stories (1936), and one school
story, The Three Wishes (1938).
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MOLLIE
M[????]. GREEN (dates unknown)
More research needed; apparently a librarian and author of a single
girls' school story, Schoolgirl Janet (1947).
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FRANCES
GREENWOOD (1915-????)
(pseudonym of Ivy May
Bradley)
More research needed; apparently the author of only one girls' school
story, Mary Todd's Last Term
(1939), praised by Sims and Clare for the depth of characterization of its
rebellious head girl heroine.
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CONSTANCE
GREGORY (dates unknown)
More research needed; author of a single girls' story, The Castlestone House Company (1918),
set during World War I, in which Guides deal with the standard spies and
wartime misadventures.
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(pseudonym of Daisy White)
More research needed; author of a sequence of four girls' school
stories set at St. Ursula's School, including The Advent of Anne (1941), The
Concerns of Cecily (1947), The
Sixth Form Pantomime (1949), and Lucille—House
Captain (1950).
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More research needed; author of three linked tales—Christmas Term at Chillinghurst (1942), That Dramatic Term! (1946), and Summer Term at Chillinghurst (1947)—set during the revamping of a
bad school; she also wrote a stand-alone school story, Duchess in Disguise (1943), and one non-school story, Steps in the Dark (1949).
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More research needed; author of adventure-oriented school and holiday
stories, including A Queer Holiday
(1936), J.P. of the Fifth (1937), The House on the Fjord (1939), Hazel in Uniform (1945), Wild Eagle's Necklace (1945), Elizabeth at Grayling Court (1947),
and The Blue Mascot (1949).
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(née Weller, aka Olive
Lindsey)
Author of more than two dozen books in all, including pseudonymous
romance novels and several Brent-Dyer-influenced school stories, among them The School of False Echoes (1947), Holly of Swanhouse (1949), Roxbrunn Finds the Way (1954), and Avril in the Alps (1955).
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MARGARET
HALE (dates unknown)
More research needed; author of a single girls' school story, Last Term at St. Andrew's (1953).
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More research needed; author of one girls' school story, Christabel at Cleve (1951), and a
non-school sequel, Christabel's Cornish
Adventure (1954).
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CONSTANCE
HARVEY (dates unknown)
Author of ten school stories given mixed reviews by Sims and Clare,
including Ups and Downs of School Life
(1926), In and Out of Mischief (1927),
The Rival Houses (1928), Mistress High and Mighty (1931), Pam Wins Through (1932), Alison—the Sport (1934), and Two Peas in a Pod (1936).
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VALERIE
HASTINGS (dates unknown)
Author of a "picture strip" called Wendy and Jinx, from which two school stories came—Wendy & Jinx and the Dutch Stamp
Mystery and Wendy & Jinx and
the Missing Scientist (1957)—and two later school stories, Jill at Hazlemere (1964) and Jill Investigates (1965).
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Author of about 40 works of children's fiction and adult romance,
including school stories which Sims & Clare note are "redolent of
the Victorian era"; they also note that The Girls of St Olave's (1919) features wartime air raids, and Joan Tudor's Triumph (1918) is unique
for its tone of Gothic horror.
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(pseudonym of Annie Mabel
Hayes, married name Flexman)
Author of four girls' school stories of the 1920s—The Fourth Form Invaders (1924), Peg Runs Away to School (1924), That Turbulent Term (1926), and The Castle School (1928)—and other Guide and adventure stories
such as The Plucky Patrol (1924)
and The Boy from Nowhere (1927).
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BARBARA
HECTOR (dates unknown)
Author of one girls' school story, Champions
in the Making (1943), a mystery for children, The Moorland Mystery (1948), and adult novels including No Through Road (1942), The Victim's Niece (1946), As the Stars Fade (1947), The Rainbow Road (1959), and various
hospital romances to 1971.
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JOAN HERBERT
(dates unknown)
(pseudonym of J. D. Lewis,
full name unknown)
Author of several girls' school stories, including Lorna's First Term (1932), With
Best Intentions (1935), The Three
Halves (1937), and One's a Pair
(1939), as well as other children's fiction, such as The Wrights are Left (1938), Penelope
the Particular (1939), and Jennifer
Gay (1944).
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F. M. HEWARD
(dates unknown)
More research needed; author of a single girls' school story, Susan the Beast (1949).
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O. P. HILL
(dates unknown)
More research needed; author of a single children's book, Dernham Days (1934), set partly in a
girls' school.
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E[LSIE]. MAY
HOOTON (dates unknown)
Author of eight children's tales of the 1950s and 1960s—the school
story The Harbord Prize (1955), as
well as Anne's Call (1951), Cherry's Corner (1953), The Winning Side (1954), Those Terrible Tindalls (1956), Julie's Bicycle (1959), Sally's Summer Adventures (1960), and Wendy (1964).
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ESSEX HOPE
(dates unknown)
More research needed; author of Pen
Goes North (1949), part of which is set in school, at least two other
children's books, Turned Adrift: The
Story of a Dog (1937) and A Dog for
Richard (1966), and what may be an adult novel, I Have Come Home (1940).
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JACYNTH
HOPE-SIMPSON (1930-2008)
(née Cureton, aka Helen
Dudley)
Author of fiction for adults and children, including the
sports-oriented school stories Anne,
Young Swimmer (1960) and Young
Netball Player (1961); novels include The
Bishop of Kenelminster (1961), The
Unravish'd Bride (1963), Island of
Perfumes (1985), and Cottage Dreams
(1985).
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THORA E.
HORNSBY (1929-????)
(married name Neal)
Another precocious literary prodigy who wrote the first of her three
school stories when she was only 13; her titles, characterized by lots of not
entirely believable action (according to Sims & Clare), are Diana at School (1944), Three Thrilling Terms (1946), and The Feud (1948).
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MYLDREDE
HUMBLE-SMITH (1885-1978)
Author of a single girls' school novel, The Girls of Chiltern Towers (1929).
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HELEN
S[PIERS]. HUMPHRIES (1915-????)
Author of Christian-themed girls' stories, including a series set at
St. Margaret's; titles include Margaret
the Rebel (1957), Margaret of St.
Margaret's (1959), Return to St.
Margaret's (1962), The Strange New
Girl (1964), and The Secrets of the
Castle (1967).
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FREDA M[ARY
ELIZABETH]. HURT (1911-1999)
Author of numerous children's books and a series of mysteries; works
include the school stories The
Wonderful Birthday (1953) and Fun
Next Door (1954), as well as The
Body at Busman's Hollow (1959), Sweet
Death (1961), Death and the Dark
Daughter (1966), and Dark Design
(1972).
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ELIZABETH
HYDE (dates unknown)
Unidentified author of two girls' school stories, Valerie of Gaunt Crag (1956) and Babette of Bayfern Manor (1957); Sims & Clare note she is
credited as "Frances Newton" in one listing; could she be Frances
Cowen, who is known to have used another Hyde pseudonym?
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A[MY].
M[ARY]. IRVINE (1866-1950)
Author of school stories for both girls and boys, as well as some adult
fiction; Sims & Clare praise her school stories, including Cliff House (1908), A Girl ofthe Fourth (1910), Naida the Tenderfoot (1919), The School Enemy (1925), and A School Conspiracy (1926).
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(pseudonym of Georgiana
Mary Isabel Ash)
"[R]equired reading for the historian of girls' school stories,"
according to Sims & Clare, Jacberns wrote a series of interconnected
tales in the 1900s and 1910s, such as The
New Pupil (1902), How Things Went
Wrong (1905), A Schoolgirl's
Battlefield (1910), and Tabitha
Smallways, Schoolgirl (1913).
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PAULINE M.
JAMES (1926-2011)
(married name Whibley, aka
Polly Whibley)
Author of two girls' school stories—The
Island Mystery (1950) and Challenge
to Caroline (1952)—and, according to Sims & Clare, three other girls'
stories I was unable to locate; she also wrote The Heights of Heidelberg, published by the Elsie J. Oxenham
Society.
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VICKI
JOHNSTONE (dates unknown)
More research needed; author of a single girls' school story, The Phantom Family (1948), but little
else is known about her.
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ANNE KAY
(dates unknown)
More research needed; author of a single girls' school story, Girls of Deepdene (1937).
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FELICITY
KEITH (dates unknown)
(pseudonym of Miss
Montserrat, first name unknown)
More research needed; author of a single girls' school story, The Oakhill Guide Company (1933).
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MARGARET
KILROY (dates unknown)
More research needed; author of two early girls' school stories, The Little Torment (1909) and Study Number Eleven (1911).
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LUCY
[MARGARET] KINLOCH (1899-c1995)
From a Scottish family, but settling later in life in the U.S., Kinloch
published a single novel, A World Within
a School (1937), based on her own time at Harrogate Ladies' College,
which Sims & Clare intriguingly describe as straddling the line between
girls' story and adult novel.
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FLORENCE
M[ARIAN]. KNIGHT (1876-1954)
Author of a single girls' school story, Keep Troth (1951), and one other earlier work of fiction, But If Not (1924), about which little
is known; she also wrote history and biography, and one undated title, In Honey-Bird Land, described as an account
of aspects of life in India for young readers.
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What jolly cover art, Scott! It's the likes of The Turbulent Term that make me realise how much I missed by not going to boarding school. Clearly I would have made friends for life there, and shared ripping adventures with intrepid girls who had more going for them than boys and makeup and clothes.
ReplyDeleteI imagine that a good amount of what's described in these books never happened in anyone's school, but I know what you mean, Susan. I seem to be reliving the girlhood I never had through these books too.
DeleteOh no,Scott.... Say it isn't so. :^o
DeleteOh lovely memories - I had Jill at Hazlemere, a LONG time ago
ReplyDeleteGlad I could refresh your memory! That looks like a particularly fun one.
DeleteA 'blog-hop' from Frugal in Suffolk brought me to your door. Have you explored the works of Elinor M Brent Dyer. She wrote extensively from the 1920s until the late 50s (including several books with a backdrop of WW2). The Girl Guide movement was also a key story-line. I am lucky enough to have an almost complete collection from the 1960s and 1970s paperback editions. Jx
ReplyDeleteI have read two or three of the Chalet School books, Jan, and have several more on my TBR shelves. How lovely to have a nearly complete set. I've enjoyed them quite a lot. Do you know that some of the paperbacks were abridged? The Friends of the Chalet School website has a list of which were most edited.
DeleteIn love with the cover art - some of it is so captivating as to make me want to take out a second mortgage and find all the titles! Although Freda M. Hurt's The Wonderful Birthday does seem to have a perspective disadvantage - and a person of color - looking mean - but still, quite unusual - I wonder how she refers to that character therein? Perhaps in terms we wouldn't use today. Tom
ReplyDeleteI'm ashamed to say I hadn't even noticed that character, Tom! It is rather intriguing. I recall a Violet Methley cover from an older post that suggested some questionable portrayals of other races. Now I might have to read this one just to see how it's handled!
ReplyDeleteThose Freda Hurt books about an unusual school, Pinetops, do *not* portray the black boy in a way we could dislike. He's just another school member. I remember thinking when I read them that Hurt's attitudes were advanced for her time.
DeleteOh, good. Thank you for jumping in and letting us know. The books sound even more intriguing now, and I definitely want to track down at least one.
Delete