Finishing up the Edwardians a couple of weeks ago was quite a relief, and I was so rejuvenated that I dived right into
researching some of the more recent writers I had come across while bogged down
with New Women, anti-vivisectionists, and exotic melodramas.
These mostly come out of
contemporary publications, especially the U.K. incarnation of The Bookman, which has proven to be a
treasure trove of long-forgotten but often quite interesting writers. There are also a few here that I should
undoubtedly have come across before now.
(Who knew that Daphne du Maurier had a novelist sister? Not I.)
There will be more to come,
but for now, here are thirteen more "scribbling women," of whom I
found a few particularly interesting:
MARY ARDEN, whose
real name was Violet Murry, was the second wife of "Mr. Katherine
Mansfield," John Middleton Murry. It
was often noted how much she resembled Mansfield, and her one published
collection of stories was warmly praised (Naomi Royde-Smith said she "does,
and does brilliantly, the same thing for suburban London as Miss Suckow and
Miss Ferber do for extra-metropolitan America"). Sadly, however, Arden ,
also like Mansfield ,
died from tuberculosis at a tragically young age.
Violet Murry (aka Mary Arden), the spitting image of Katherine Mansfield? |
VALENTINE
DOBREE, apparently
a close friend of Bloomsburyist Dora Carrington, published two novels, Your Cuckoo Sings by Kind (1927) and The Emperor's Tigers (1929), which were
praised by the likes of T. S. Eliot and Graham Greene. Her only other publications were a story collection,
To Blush Unseen (1935), and a
collection of poems, This Green Tide
(1965). She has also received some
critical attention for her painting.
Photos of Dobree herself are not to be had, but here's the cover of her acclaimed first novel |
ANGELA
DU MAURIER,
sister of Daphne, must have known something about feeling overshadowed by a
sibling! (Perhaps she and Jon Godden got
together regularly to commiserate with one another?) Her autobiography, It's Only the Sister (1951), might well have interesting things to
say about that feeling. And as these
things tend to happen, only a few days after I first realized Angela du
Maurier's existence, Fleur
Fisher wrote about one of her novels, 1942's Treveryan. I also learned,
belatedly, that earlier this year Jane Dunn published a biography
of all three of the du Maurier sisters (apparently not available in the U.S. ?).
Angela du Maurier, "only the sister" |
MAY SMITH, whose World
War II diaries about being a village schoolteacher in wartime, published
by Virago, sound irresistible.
May Smith, whose wartime diaries are newly published |
and
MALACHI WHITAKER, whose four short story collections received extravagant acclaim in
the 1920s and 1930s, including comparisons to Katherine Mansfield, but who then
stopped writing for the remaining four decades of her life. One of Whitaker's stories is included in The Persephone Book of Short Stories,
and a volume of selected stories, The
Crystal Fountain, appeared in 1984 and is readily available.
All have been added to the main
list.
MARY ARDEN (1901–1931)
(pseudonym of Violet
Murry, née le Maistre)
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Second
wife of John Middleton Murry (the first being Katherine Mansfield), Murry
published only one story collection, Luck
and Other Stories (1927), reviewed warmly by Naomi Royde-Smith, before
she—like Mansfield—succumbed to tuberculosis.
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LORNA ARMISTEAD (dates
unknown)
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Apparently the author of
only one novel, Death of Henrietta
(1934), a dark tale of war and family life, scathingly reviewed in The Bookman, which bemoaned the fact
that authors were still producing the type of book satirized by Stella
Gibbons in Cold Comfort Farm.
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VALENTINE DOBREE
(1894-1974)
(pseudonym of Gladys May
Mabel Dobree, née Brooke-Pechell)
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A
fringe member of the
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NORA O'BEIRNE DOWLING
(dates unknown)
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More
research needed; forgotten author of at least two novels, The Grinding of the Mills (1926) and Noon-Day Devil (1933), about which I
could find little information.
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ANGELA DU MAURIER
(1904-2002)
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Sister
of the much better-known Daphne, Angela also wrote novels including The Spinning Wheel (1940), The Little Less (1941), and Reveille (1950), as well as two
memoirs, It's Only the Sister
(1951) and Old Maids Remember
(1965).
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SHEILA FITZGERALD (dates
unknown)
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More
research needed; author of three novels of the 1930s—the well-reviewed Hungarian Rhapsody (1934), set in the
countryside of
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DOROTHY K[ATE]. HAYNES (1918-1987)
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Children's author and
novelist; published three novels—Winter's
Traces (1947), The Gibsons of
Glasgow (1947), and Haste Ye Back
(1973); later work consisted primarily of ghost stories, some of which were
collected in Peacocks and Pagodas
(1981).
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(pseudonym of Elaine Kidner Dakers)
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Prolific historical
novelist and children's author from the 1930s to 1970s, whose works include Undaunted (1934), He Stooped to Conquer (1943), London
Goes to Heaven (1947), Parcel of
Rogues (1948), about Mary Queen of Scots, and Thunder on St. Paul's Day (1954).
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ROSALIND MURRAY
(1890-1967)
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More research needed;
author of four early novels, including The
Happy Tree (1926), about World War I, as well as Moonseed (1911), Unstable
Ways (1914), and Hard Liberty
(1929); in later years, she published books about religion and faith,
including The Good Pagan's Failure
(1939).
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MAY SMITH (1914-2004)
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Schoolteacher and diarist,
whose witty war diaries, telling of life as a teacher in a village near
Derby, were published by Virago as These
Wonderful Rumours!: A Young Schoolteacher's Wartime Diaries 1939-1945
(2012).
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MORNA STUART (dates unknown)
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More research needed; now
apparently best known for her children's novel Marassa and Midnight (1966), about slavery in the West Indies,
Stuart also wrote two novels, Nightrider
(1933), set in the
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PEGGY TEMPLE (dates unknown)
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A child author following in
the footsteps of Daisy Ashford,
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(pseudonym of Marjorie Olive Whitaker, née
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Wildly acclaimed yet
enigmatic author of short stories; her collections, Frost in April (1929), No
Luggage? (1930), Five for Silver
(1932), and Honeymoon (1934),
earned comparisons to Katherine Mansfield, but after a memoir, And So Did I (1939), Whitaker stopped
publishing.
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