This
update features a mixed bag of all sorts of writers, many of which sound as
interesting as their books (or, in some cases, more so). For instance, there is apparently a whole
sub-genre of British women writers whose psychic abilities (purported or—who
knows?—real) formed the basis of their fame, and this update contains not one,
but two of them!
GERALDINE CUMMINS, who called herself a
medium, was also a suffragist, playwright, and author of two novels and a story
collection. Her fiction reportedly dealt
with feminist themes, but she also published a memoir, Unseen Adventures (1951), which surely dealt with her psychic
experiences.
NELL ST. JOHN MONTAGUE seems to have preferred the
term "clairvoyante" to describe her particular skills. She even published a guide to fortune
telling, The Red Fortune Book, but of course her appearance on my list is due to the three novels she
wrote in the late 1920s and early 1930s.
She was one of at least two or three writers on my list to be killed in
a World War II bombing raid.
I
thought I had exhausted every possible Edwardian author in my series of updates
a while back, but two more have crept in to this update. Both GEORGETTE AGNEW and MARY
STUART BOYD published their final novels in 1911—just squeaking past my 1910 cutoff.
Both sound like they could be entertaining.
This
catchall update also has three more authors of World War I books. There's the mysterious THOMASINA ATKINS
(the pseudonym of "Private
[W.A.A.C.] on Active Service"), whose true identity has never, as far
as I can tell, been revealed, but whose charming letters about the war in France
make for entertaining reading. MONICA
COSENS was later a playwright and children's author, but is perhaps most
remembered for her book, Lloyd George's
Munition Girls (1916). And LOUISE
HEILGERS was a popular periodical writer whose war stories appeared in Somewhere in France: Stories of the Great
War (1915).
And
what would an update be without a couple of World War II writers as well. MONICA FELTON was known primarily for
her later writings about the culture and politics of North Korea and India, but
she published a single novel, To All the
Living (1945), which dealt with factory workers in wartime England, and I'm
finding that one quite tempting. And
although BARBARA SKELTON qualified for my list because her first novel, A Young Girl's Touch, appeared in 1956,
her later memoirs, including her experiences in wartime, are the books that are
calling my name.
Although
the portrait above might not reflect how she looked by the time she became a
novelist (it's the best I can do for a photo of her, however), JULIET
SOSKICE was not only the sister of one of my favorite modernist authors,
Ford Madox Ford, but her memoir about growing up in a rather bohemian family
sounds quite enticing in its own right.
Finally,
there's little doubt that VIOLET VAN DER ELST's own rags-to-riches-to-rags
story is as interesting as anything in her two collections of stories about the
supernatural. Van Der Elst was a working
class girl who made a fortune creating a new shaving cream, but then lost it during
her passionate lifelong battle against the death penalty. The cover of her book on the topic (above) is
surely a masterpiece of ominous, overwrought imagery—not to mention the rather
odd image of Van Der Elst herself looking rather debonair at the foot of the
gallows).
The
complete list of 38 authors is below. All
have already been added to the main
list.
GLADYS ELLEN ADENEY
(1885-1970)
(married name Easdale, aka
Francis Adoney, aka Gladys Ellen Killin)
|
|
Described
in her archives as having spent her life "on the margins of the London
literary and musical scene," Adeney numbered Virginia Woolf and Vita
Sackville-West among her friends; she published a colorful memoir, Middle Age, 1885-1932 (1935) and one
novel, Don't Blame the Stars
(1951).
|
|
GEORGETTE AGNEW (1865-1957)
(née
Christian, aka Nevin Halys)
|
|
Playwright, poet, and author of light romantic fiction; titles
include The Countess: A Summer Idyll
(1905), The Night that Brings Out Stars
(1908), and The Bread Upon the Waters
(1911); she does not appear to have written fiction after 1911.
|
|
THOMASINA ATKINS (dates
unknown)
(pseudonym of
"Private [W.A.A.C.] on Active Service"; real identity unknown)
|
|
Author
of The Letters of Thomasina Atkins
(1918), a lively and entertaining record of World War I as witnessed by a
W.A.A.C. stationed in France; as far as I've been able to determine, her true
identity has never been discovered (the pseudonym feminizes the generic term
for a male soldier).
|
|
VIOLA BANKES (1900-????)
|
|
Daughter of the Bankes
family whose estate, Kingston Lacy, she later memorialized in A Dorset Heritage (1953), her novel Shadow-Show (1922) was a runner-up for
a John Long Best First Novel contest; a second book, Men for Pieces, was advertised but seems never to have appeared.
|
|
MARJORIE BINNIE
(c1894-????)
(née Cope, other married
name Dove?)
|
|
Apparently
the author of only a single novel, Women
with Men (1935), set in Africa, Binnie spent her early life in Singapore
before moving to South Africa to farm with her husband.
|
|
NOREEN BOND (1902-1981)
(pseudonym of Nancy Helen
Beckh)
|
|
More research needed; author
of two novels, Hide Away (1936) and
Take Care (1938), but so far I can
find no information about them.
|
|
MARY STUART BOYD (1860-1937)
(née
|
|
Boyd started her brief writing career with
two travel books, followed by eight novels published 1902 to 1911, including With Clipped Wings (1902), The Misses Make-Believe (1906), The Glen (1910), and The Mystery of the Castle (1911),
after which she appears to have stopped publishing.
|
|
MARY BYRON (????-1935)
(née
|
|
Forgotten
author of two poetry collections, A
Voice from the Veld (1913) and The
Owls (1920), and one collection of stories, Dawn and Dusk in the High Veld (1931), described as: "Vivid
short stories and true sketches of life among the scattered farms of South
Africa."
|
|
(née Somerville)
|
|
Author
of four novels—O'Reilly of the Glen
(1918), Margot (1918), Sons of the Settlers (1920), and The Lad (1923); the last, at least,
sounds a bit overwrought: "Silvia's life tragedy lies in the friends and
surroundings to which she sees [her son] doomed through the poverty of her
married life."
|
|
HELEN MARY CHITTY
(1867-1932)
(née Latham)
|
|
Wife
of Indian High Court judge Sir Charles William Chitty, after her husband
retirement and relocation back to England, Chitty published a single novel, The Black Buddha (1926); she had
earlier published several short stories in periodicals.
|
|
KAY CORNWALLIS
(1888-1969)
(pseudonym of Irene
Wallis, married name Jones)
|
|
Author
of new novels of the 1930s—Jeopardy Incurred
(1933) and Travel Stained (1934);
the latter is about an English family relocating to Boston, and the
nearly-disastrous flirtation of the young wife.
|
|
MONICA COSENS (dates unknown)
|
|
Playwright
and children's author (mostly in collaboration with Brenda Girvin), probably
best known today for her gung-ho World War I memoir, Lloyd George's Munition Girls (1916), which paints a humorous but
significant portrait of one area of women's war experience.
|
|
GERALDINE CUMMINS
(1890-1969)
|
|
Irish
novelist, playwright, suffragist, and psychic medium; author of two plays for
the Abbey Theatre, two novels with feminist themes—The Land They Loved (1919) and Fires of Beltane (1936)—a collection of stories called Variety Show (1959), and a memoir, Unseen Adventures (1951).
|
|
ELIZABETH MARY DEW
ROBERTS (1885-c1965)
(aka Barbara Dew Roberts,
aka B. Roberts)
|
|
Historian
and author of at least four novels, some or all of them historical in
subject, including Still Glides the
Stream (1940), Some Trees Stand
(1945), The Island Feud (1947), and
The Charlie Trees: A Jacobite Novel
(1951).
|
|
CATHERINE I[SABEL]. DODD
(1860-1932)
|
|
Originally
a writer on education and domestic economy, Dodd published around a dozen
novels, including A Vagrant
Englishwoman (1905), Queen Anne
Farthings (1928), Scarlet Gables
(1929), Bells of Thyme (1930), and Paul and Perdita (1932), and a
biography of Mary Shelley (1933).
|
|
MARIBEL EDWIN (1895-1985)
(née
Thomson)
|
|
Novelist and children's author whose works
include The Valiant Jester (1930), Windfall Harvest (1931), Sound Alibi (1935), Atmosphere for Gloria (1935), and Return to Youth (1937), as well as Wild Life Stories (1933), a nature
title lavishly illustrated by Raymond Sheppard.
|
|
CICELY ERSKINE (1873-1969)
(née Quicke)
|
|
Author of several sex education and birth
control books in the 1920s, Erskine also wrote what appears to be a novel
called Whisper (1931), but online
information about any of her titles is virtually nonexistent.
|
|
MONICA FELTON
(1906-1970)
(née Page)
|
|
Later
known for her writings on North Korea and India, including That's Why I Went: The Record of a Journey
to North Korea (1953) and A Child
Widow's Story (1966), Felton began her career with one novel, To All the Living (1945), dealing with
wartime factory life in England.
|
|
LOUISE HEILGERS
(1882-1954)
(aka Henrietta Heilgers)
|
|
Popular
periodical author and novelist in the 1910s and 1920s; many of her stories
were collected in books like Tabloid
Tales (1911) and Somewhere in
France: Stories of the Great War (1915); she later wrote novels including
Babette Wonders Why (1916) and The Dark Lamp (1927).
|
|
MARY HOLDER (dates
unknown)
(married name Bligh)
|
|
Stage
actress with the Stratford-upon-Avon Shakespearean Company and author of six
novels of the 1930s—The Dusky Highway
(1932), The Strange Tale of Eastermain
(1933), Radiant Interlude (1933), Rich Earth (1934), To-day Is Ours (1935), and Moonlight in Winter (1937).
|
|
MYRTLE JOHNSTON
(1909-1955)
|
|
Author
of six novels of dark psychological drama; Hanging Johnny (1927), about "a misunderstood
executioner," Relentless
(1930), The Maiden (1932), The Rising (1939), Amiel (1941), about the horrors of
war, and A Robin Redbreast in a Cage
(1950), about an acquitted murderer.
|
|
ETHELREDA LEWIS
(1875-1946)
(née Ethel Howe, married
name Smith, aka R. Hernekin Baptist)
|
|
Best
known for editing (ghostwriting?) the memoirs of Alfred Aloysius Horn, a
prominent African trader, Lewis also wrote several adventures making use of
her own knowledge of Africa, including The
Harp (1925), The Flying Emerald
(1925), Mantis (1926), and Wild Deer (1933).
|
|
JESSIE E[LIZABETH].
LIVESAY (c1874-1938)
(née Chalmers)
|
|
More
research needed; author of four novels in the 1900s and 1910s; The Shade of the Acacia (1907), set
amidst foxhunting, deals with a man’s love for his best friend’s wife; other
titles are The Little Tin Gods
(1901), Sons of the Blood (1910),
and Sink Red Sun (1914).
|
|
CHRISTINE [RUTH]
MAJOLIER (1890-1969)
(married name Methol)
|
|
More
research needed; apparently the author of a single novel, Content (1925), about which little
information is available.
|
|
NELL ST. JOHN MONTAGUE
(c1881-1944)
(pseudonym of Eleanor
Barry, née Lucie-Smith, sometimes given as Standish-Barry)
|
|
Clairvoyant
and author of three novels—Under Indian
Stars (1929), The Poison Trail
(1930), and Love That Ruins!
(1931); she also wrote a memoir, Revelations
of a Society Clairvoyant (1926); she died in an air raid on London in
August of 1944.
|
|
NANCY PRICE (1880-1970)
(married name Maude)
|
|
Actress,
theatre director, founder of the People's Theatre, travel and nature writer,
playwright, poet, memoirist, and novelist (!!); Price published numerous
books about the English countryside, as well as a story collection, Jack by the Hedge (1942) and one
novel, Ta-mera (1950).
|
|
LETTICE [MILNE] RAE
(1882-1959)
|
|
Author
of a history of the Ladies' Edinburgh Debating Society, Ladies in Debate (1936), Rae also wrote at least five novels—The Stranger on the Aventine (1913), Mr. Suffer-long (1920), The Victorious Mile (1928), The Auld Alliance (1931), and The Woman in the Crowd (1940).
|
|
BARBARA LOGIE RITCHIE
(c1861-1941)
|
|
Irish
author of a single novel, The Tenant of
Sea Cottage (1916), about which little information is available.
|
|
OLIVE SALTER (1897-1976)
|
|
Singer
and stage performer, editor of Motor
Cycling magazine in the 1910s, and author of several novels, including Martha and Mary (1921), God's Wages (1922), Out of Bondage (1923), and Magda Korda (1934).
|
|
BLANCHE THEODORA
SIDGWICK (1875-1943)
|
|
More
research needed; playwright and novelist, author of at least three novels—Unwelcome Visitors (1926), The Wrong Wife: A Novel of the Twenties
(1932), and The Turn of the Wheel
(1938).
|
|
BARBARA SKELTON
(1918-1996)
(married names Connolly,
Weidenfeld, and Jackson)
|
|
Author
of two novels—A Young Girl's Touch
(1956) and the darkly humorous A Love
Match (1969)—and one story collection, Born Losers (1965), Skelton is best known for her memoirs Tears Before Bedtime (1987) and Weep No More (1989), the former of
which includes her experiences in WWII.
|
|
JULIET [CATHERINE EMMA]
SOSKICE (1880-1943)
(née Hueffer)
|
|
Granddaughter
of artist Ford Madox-Brown and sister of Ford Madox Ford, Soskice wrote an
acclaimed memoir of her bohemian youth, Chapters
from Childhood (1921), and at least five novels, including A Woman Scorned (1925), A Gay Rover (1931), and The Woman of Shadows (1937).
|
|
GLADYS ST. JOHN-LOE
(1893-1977)
(née Magson)
|
|
Playwright
and author of at least five novels of the 1920s and 1930s, including Spilled Wine (1922), Beggar's Banquet (1923), The Door of Beyond (1926), Who Feeds the Tiger (1935), and Smoking Altars (1936), as well as a
story collection, Dust of the Dawn and
Other Stories (1922).
|
|
GLADYS GORDON TRENERY
(1885-1938)
(aka G. G. Pendarves, aka
Marjory E. Lambe, aka ????)
|
|
A
prominent author of ghost stories most of whose works, according to Richard
Dalby, were published in periodicals and remain uncollected; the British
Library does show a single novel, Crag's
Foot Farm: A Novel of Leicestershire (1931).
|
|
VIOLET VAN DER ELST
(1882-1966)
(née Dodge)
|
|
A
fascinating rags-to-riches-to-rags story in herself, Van Der Elst was a
working class girl, made a fortune creating a new shaving cream, then lost it
fighting the death penalty; her two story collections are The Torture Chamber (1937) and Death of the Vampire Baroness and other
Thrilling Stories (1945).
|
|
MARY WOODS (c1866-????)
(née Woodroffe, aka Daniel
Woodroffe, aka Mrs. J. C. Woods)
|
|
Author
of at least five novels as Daniel Woofroffe and one as Mrs. J. C. Woods;
these are Her Celestial Husband
(1895), Tangled Trinities (1901), The Evil Eye (1903), The Beauty Shop (1905), The Rat-Trap (1912), and The Quicksand (1933).
|
|
ALICE CLARA VERONICA
WYNNE (1890-1969) & EMILY ADELAIDE WYNNE (1871-????)
|
|
Authors
of a single novel, Every Dog
(1929), a far-fetched-sounding farce about a businessman trying to escape his
responsibilities; The Spectator
called the book “tedious, though funny in places.”
|
|
DIANA FRANCES YOUNG
(1894-1965)
(married name Martienssen)
|
|
More
research needed; author of seven novels 1935-1939, but apparently no others?;
titles include Storm Before Sunrise
(1935), The Door Stood Open (1936),
The Unfinished Symphony (1937), The Lonely Guest (1937), Stray Cat (1938), Doves in Flight (1938), and Son
of the Dark (1939).
|
Scott, you must put so much time into researching all these wonderful books and authors! We appreciate it. Even If I'll probably never come across most of these books it gives me a treasure hunt list and I do so love a treasure hunt!
ReplyDeleteThanks, Peggy! I have a blast doing this research, and it continues to amaze me that there are still so many more authors that were successful for a while and then totally forgotten. Hope you find some interesting ones in the mix!
Delete