I recently looked back over
my ever-growing list of World War II-related writings and found I still hadn't added
a bunch of authors—mostly memoirists or diarists of the period. So I am rectifying that oversight here.
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Iris Carpenter |
IRIS CARPENTER and
HILDE MARCHANT were both
trailblazing journalists who covered some of the hottest hot spots of the war
at a time when women journalists were usually restricted to quieter and safer
journalistic pursuits, and wrote about their experiences in No Woman's World (1946) and Women and Children Last (1941),
respectively. The former is one of the women noted in Nancy Caldwell Sorel's book The Women Who Wrote the War, which has been on "to read" list forever. Marchant seems to have become even more buried in the sands of time, but also sounds intriguing.
ZELMA KATIN
and BARBARA NIXON, meanwhile, had experiences every bit as harrowing back on the home front, working as a conductress and a
London air raid
warden, respectively, and their accounts in 'Clippie':
The Autobiography of a War Time Conductress (1944) and Raiders Overhead (1943) make for fascinating reading. RACHEL
KNAPPETT's experiences as a Land Girl—described in A Pullet on the Midden (1946)—were less gruesome but no doubt just
as strenuous.
CONSTANCE TOMKINSON's wartime life may have been strenuous, too, but in a rather different
way—she tells of her experiences as a dancer in wartime Europe
in Les Girls (1956). And the first volume of RUBY THOMPSON's just-published Blitz diaries—World War II London Blitz Diary (2013)—continues the story, begun in Ruby: An Ordinary Woman (1995), of an
unhappily-married woman whose diary was her outlet. It promises to offer a highly personal view
of domestic life during wartime.
I also came across one additional
author from World War I who seems like a fascinating figure. VIOLETTA
THURSTAN served as a Red Cross nurse throughout the war, and earned quite
an array of honors for bravery and devotion.
Field Hospital and Flying Column
(1915) was a journal of her service in Belgium
and Russia,
and late in life she published a memoir of the war, The Hounds of War Unleashed (1978).
And, back to World War II, I
recently remembered some humorous works written by poet VIRGINIA GRAHAM (whose lovely wartime poems were collected by
Persephone in Consider the Years 1938-1946), which qualify her for my list.
One of them, Here’s How
(1951), was discussed by Simon
at Stuck-in-a-Book back in 2011. And
this led me to remember that Graham had a lifelong correspondence with actress
and comedienne JOYCE GRENFELL, and I recalled that Grenfell also wrote
memoirs of her experiences during the war, as well as other humorous
works. So, appropriately enough, the two
close friends are together in this update.
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Joyce Grenfell |
Finally, I’m adding two pairs
of authors who caused me some confusion.
One of the writers does have a WWII connection, but otherwise they don’t
particularly fit any update theme. I’m just
including them here because I’m ready to give up on the minor mysteries that
still linger around them.
First, there is the combo of
WWII memoirist HILARY WAYNE, who
wrote of her experiences with her daughter in the ATS, and JOAN MARY WAYNE BROWN, best known for her girls’ books under the
name Mary Gervaise, but also the author of adult novels and romances under the
pseudonym (you guessed it) Hilary Wayne. At first, I
assumed they must be the same person, but it seems that this can’t be. Jenny Hartley says in her Hearts Undefeated that the memoirist was
56 when she joined the ATS, so she can hardly be the much younger Brown. Oddly, the British Library suggests that
memoirist Wayne
was also a pseudonym, of someone
called Flora Sturgeon, but I haven’t found any information under that name
either. In the end, the identical
pseudonyms appear to be just a coincidence, and both authors are added below.
Then there is the mystery of MARGARET DALE, a long-lost novelist who
published three intriguing novels in the early 1930s. John Herrington, who successfully tracked
down Mary Bell’s true identity, came up empty in his search for Dale, which
must mean she is really and truly lost. My own skills at tracking are nothing compared to John's, but a while back, I briefly harboured the delusion that I had located her, when I researched MARGARET J[ESSY]. MILLER, a children’s
author whose married name was Dale. But
that would have been far too simple. Although
the ages worked—Miller could certainly have been a precocious young novelist at
22, before turning to children’s fiction later on—unfortunately Miller only married and became Margaret Dale in 1938, three
years after the last Margaret Dale novel appeared. Alas, tough is the row the researcher of
obscure writers must hoe! But both
writers sound interesting, and both are included below.
The full list of new authors
if below, and all have already been added to the main
list.
JOAN MARY WAYNE BROWN (1906-1998)
(aka Mary Gervaise, aka Hilary Wayne, aka Bellamy
Brown)
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Best known for girls'
school and pony books under the name Mary Gervaise, especially the Georgie
series (1950-1965), and of dozens of adult novels and romances under her
Wayne and Brown pseudonyms; the latter include Sweet And Kind (1947), No
Star Is Lost (1956), and Solitaire
(1962).
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IRIS CARPENTER (1906-????)
(married names Scruby and Akers)
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A
trailblazing journalist who covered some of the critical events of World War
II, including D-Day and the Battle
of the Bulge, Carpenter also published an important memoir, No Woman's World: On the Campaign in
Western Europe, 1944-45, published in 1946.
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MARGARET
DALE (dates unknown)
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More research needed;
author of only three novels—Limited
Variety (1933), Maze (1934),
and Serena (1935); could conceivably be the same as Margaret J.
Miller below, whose married name was Dale, but the latter married only in
1938, well after these novels appeared under that name.
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Virginia Graham |
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VIRGINIA GRAHAM
(1910-1993)
(married name Thesiger)
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Journalist
and poet best known now for Consider
the Years 1938-1946 (2000), humorous poems on wartime themes reprinted by
Persephone; Graham also wrote a series of humorous books, including Say Please (1949), Here's How (1951), and A Cockney in the Country (1958).
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JOYCE GRENFELL
(1910-1979)
(née Phipps)
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Well-known
actress, comedian, and author of monologues and other humorous pieces;
Grenfell's wartime journals were published as The Time of My Life: Entertaining the Troops (1988); her lifelong
correspondence with Virginia Graham has been collected as Joyce and Ginnie (1997).
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Joyce Grenfell in the 1953 film Genevieve |
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ZELMA KATIN (dates unknown)
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Information about her life
before and after World War II is sparse, but Katin's 'Clippie': The Autobiography of a War Time Conductress (1944)
offers a unique perspective on home front life.
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RACHEL KNAPPETT (dates unknown)
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Best known for A Pullet on the Midden (1946), an
"evocative, authentic and heartwarming" memoir of her experiences
as a land girl in Lancashire, Knappett also published a subsequent memoir, Wait Now: Impressions of Ireland
(1952), about her life in Ireland.
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HILDE MARCHANT (dates unknown)
(aka Hilda Marchant)
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A trail-blazing journalist
for the Daily Mail, Marchant also
published two significant books on the war—Women and Children Last: A Woman Reporter's Account of the Battle of
Britain (1941) and The Home Front
(1942); she had earlier made her name reporting on the Spanish Civil War.
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MARGARET J[ESSY] MILLER (1911-????)
(married name Dale)
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Possibly (but not likely to
be) the same as Margaret Dale above; children's author whose works often
focused on Scotland; titles include Seven
Men of Wit (1960), The Queen's
Music (1961), Gunpowder Treason
(1968), Plot for the Queen (1969),
and The Far Castles (1978).
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JENNY NICHOLSON (1919-????)
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Author of Kiss the Girls Goodbye: On Life in the
Women's Services (1944), a useful resource regarding women's roles during
World War II; she later co-wrote what appears to be a travel book about the Soviet Union, The
Sickle and the Stars (1948).
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BARBARA NIXON (1908-????)
(married name Dobb)
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Wife of Cambridge economist Maurice Dobb and
actress in the Cambridge Festival Theatre, Nixon was an air raid warden
during the Blitz and wrote dramatically of her experiences in Raiders Overhead (1943); the British
Library credits her with another title, Jinnifer
of London (1948).
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MOLLY [MARY] RICH (????-1974)
(née Richardson)
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Wife of Edward Rich, a
prominent vicar, Molly's entertaining World War II letters have been
collected as A Vicarage in the Blitz:
The Wartime Letters of Molly Rich 1940-1944 (2010).
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JOYCE STOREY (1917-2001)
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Popular memoirist whose
humorous and colorful work includes Our
Joyce 1917-1939 (1987), Joyce's War
(1990), and Joyce's Dream: The Post-War
Years (1995); these three volumes were condensed into a one-volume
edition called The House in South Road
in 2004.
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Ruby Thompson |
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RUBY [SIDE] THOMPSON (1884-1970)
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Diarist who used her
diaries as a release from an unhappy marriage; Thompson's prewar diaries were
published as Ruby: An Ordinary Woman in 1995; her great-granddaughter has begun publishing her WWII
diaries, starting with World War II
London Blitz Diary (2013).
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VIOLETTA THURSTAN
(1879-1978)
(full name Anna Violet
Thurstan)
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Novelist and Red Cross
nurse; she wrote Field Hospital and
Flying Column (1915), a journal of service in Belgium and Russia, while
recovering from a shrapnel wound; she later wrote two novels, Stormy Petrel (1964) and The Foolish Virgin (1966), and a
memoir, The Hounds of War Unleashed
(1978).
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CONSTANCE [AVARD] TOMKINSON (1915-1995)
(married name Weeks)
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Daughter of a clergyman,
Tomkinson debuted on Broadway at age 18; she remains best known for Les Girls (1956), a memoir of her time
as a dancer in Europe during WWII; she wrote
three more memoirs, African Follies
(1958), What a Performance! (1962),
and Dancing Attendance (1965).
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HILARY WAYNE (dates unknown)
(pseudonym of Flora Sturgeon?)
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Not to be confused with
Joan Mary Wayne Brown, who sometimes wrote as Hilary Wayne, this author wrote
a memoir, Two Odd Soldiers (1946),
about her exploits with her daughter in the ATS during WWII; the British
Library suggests this Wayne
is a pseudonym for Flora Sturgeon, but I can't confirm.
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I so appreciate this post, Scott! These are exactly the books I dream about rooting out in dusty second-hand shops on the highest or lowest of shelves. My theory being that most people won't be bothered, leaving gems behind for me...it rarely pans out though. I'm not put off though! Now I'm off to see about Ruby Thompson's books...
ReplyDeleteThank you, Darlene! Do let me know what you think of Ruby Thompson if you end up reading her diaries. I swear that someday I'm going to do a list of my favorite WWII lit, as there's just so much that is so good. It will happen eventually, but life has been just a bit too hectic of late...
DeleteLovely post, Scott - thank you! Reminds me of another fav blog, http://thewartimewoman.wordpress.com/
ReplyDeleteAuthor is Australian, so told from that part of the globe. But she might have interesting sources for more British authors known down under. One can but hope!
del
Thanks for the recommendation, Del. The blog is great, and I see Deb herself has already chimed in below!
DeleteHi Scott, new to your blog. Particularly enjoyed this post - lots to look out for now! Deb
ReplyDeleteWelcome, Deb, and thanks for your comment. I can see I will be spending a lot of time at your blog too--love the advertisements and the articles too. WWII writing by women is one of my particular interests, so I can't wait to explore more!
DeleteHi. Les Girls is, I guess, the source of the 1957 movie of the same name, starring Gene Kelly, Mitzi Gaynor and the wonderful and elegant Kay Kendall. You don't say anything about what happens in the book and I wonder if it's just the title and context - showgirls in Paris - that survive in the movie. Its plot, unfolding in flashback, is about three showgirls squabbling over a man. These days it's creaky but it has charm. It's available in full on YouTube for anyone who is curious.
ReplyDeleteHmmm, I actually never made the connection, though I remember reading about the film in a Cole Porter bio. I poked around a bit and found this on the TCM website:
Delete"The film's credits list Vera Caspary as author of the story and John Patrick as the screenwriter; however, contemporary and modern sources differ as to the origin of the source material for the film. According to information on the film contained in the M-G-M files at the USC Cinema-Television Archives, an article in the July 1955 Atlantic magazine entitled Les Girls by Constance Tomkinson, which was later expanded into a book of the same name, was used by M-G-M in its initial treatments for the film; however, no correspondence between the author and the studio has been found. The autobiographical writings were about Tomkinson, a Canadian clergyman's daughter, who spent several months in the chorus line of the Folies Bergre and toured Europe with various dance troupes. Review of the contents of the files reveal that Tomkinson's writings bear a few similarities to the film's screenplay, but key elements of the film Les Girls, for example, the libel suit and the three female leads' relationships, are not found in Tomkinson's works."
So even if the movie isn't based on it, I know a bit more about Tomkinson's book now!