First, the new
Furrowed Middlebrow titles from Dean Street Press are very nearly here! They're
all now available for pre-order, in paperback and e-book, and on Amazon you can
find all the Furrowed Middlebrow books by searching "furrowed
middlebrow" (or, of course, by searching individual titles/authors). The Amazon links in the left column of this blog will bring up those results. On Book
Depository, it seems that this clever trick doesn't work, but all the books are
available for pre-order there, you'll just have to search by author or using
the advanced search and entering Dean Street Press as publisher. The official
release date for all the books is March 20.
Dean Street has sent
me the full covers for the new titles, and of course I have to share them with
you. I only had front covers before. I was a little amazed, by the way, by all
the rave reviews we came across of the Elizabeth Fair books, comparing her to
everyone from Trollope and Thirkell to Jane Austen and Margery Sharp. I think
she's very much her own writer and transcends all these comparisons, but of
course we didn't shy away from using some of the rave blurbs on the book
jackets!
I've already
mentioned the new introductions our editions feature, but it certainly bears
repeating. Elizabeth Crawford, who did the intros for our earlier Rachel
Ferguson and Winifred Peck titles, did an extraordinary job of delving into the
little-known Elizabeth Fair (and I even have a new addition to my author list
in the form of Fair's aunt, who, it turns out, published a well-known travel
book followed by several novels!). The brilliant Gillian Tindall provided an
introduction to her aunt Monica Tindall's The
Late Mrs Prioleau, and gives fascinating detail about her aunt's life,
while her friend Stacy Marking, a successful television producer and
businesswoman, provided the intro to our reprints of three novels by Ursula
Orange, Gillian's mother, utilizing Gillian's collection of press clippings and
other hitherto-unknown details. And last but certainly not least, author and
historian Charlotte Moore has written an intro to our reprint of Edith Nesbit's
final (and best, in my opinion) adult novel, The Lark, providing loads of interesting background from Nesbit's
life.
Finally, I have to
note again the generosity of one of the foremost British illustrators, Shirley
Hughes, for granting us permission to use her original cover art for Elizabeth
Fair's The Native Heath. We're
honored to have her artwork gracing one of our covers (and even more honored
that she was complimentary about our cover designs in general).
At the bottom of
this post, you can peruse the covers of all eleven of the new books.
Now, on to the
second coming attraction.
I mentioned in my
New Year's post here
that I had been mulling over a new list, a "middlebrow syllabus," to
include representative novels by 100 different authors spanning all the
different types of fiction produced by middlebrow women writers. Two months and
much ridiculous agonizing later, I am finally ready to begin posting it, and
will do so in the next few days. I have a much (MUCH) longer explanation of the
list that I'll post with the first section, so for now I'll just note that I'm
going to be a bit of a tease and break the list into ten (10!) posts. I know, I
know, but there are two reasons I want to do that:
1) It will allow me
to include a brief commentary about why I selected each book, as well as author or dustjacket
pics, without the post becoming too unwieldy.
and
2) As I mentioned in
the New Year's post too, I've also been working on a full-scale revision and
expansion of my main author list, which is quite an undertaking (I've done
about 600 of the nearly 2,000 authors in the past few months of working on it). I'm basically reviewing all the
information I have for each author, doing new research where needed, and
including as much as I can in each list entry. By dividing the Middlebrow
Syllabus up a bit more and spacing it out, I can give myself some comparatively uninterrupted time to push
ahead with that project without having the blog "go dark" while I do
so. My revision will really be an entirely
new version of the list, and as I post it I'm planning to highlight some of the
most interesting authors, books, and tidbits that I've come across in expanding
each section. But that will come later, and the slow burn of the Middlebrow
Syllabus will help me get there.
Plus, spreading the
list into multiple posts will surely build anticipation as I count down the 100
titles, right? So look for the first
part of the list going live a few days from now.
But now, time to
fetishize some book covers:
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| FM10, Ursula Orange, Tom Tiddler's Ground (1941) |
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| FM11, Ursula Orange, Begin Again (1936) |
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| FM12, Ursula Orange, Company in the Evening (1944) |
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| FM13, Monica Tindall, The Late Mrs Prioleau (1946) |
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| FM14, Elizabeth Fair, Bramton Wick (1952) |
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| FM15, Elizabeth Fair, Landscape in Sunlight (1953) |
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| FM16, Elizabeth Fair, The Native Heath (1954) |
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| FM17, Elizabeth Fair, Seaview House (1955) |
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| FM18, Elizabeth Fair, A Winter Away (1957) |
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| FM19, Elizabeth Fair, The Mingham Air (1960) |
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| FM20, E. Nesbit, The Lark (1922) |










